| Dispatch
#31: The Desertification of Mali
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| “There are stiff fines
for cutting and slash-and-burn clearing without a permit, but the people
do it anyway, because they have no alternative,” Thomas explains. “Malians
see so little money, and they’re so focused on where the next meal is coming
from, they don’t have the luxury of long-term thinking. So the forest is
going fast.”
Most of the Sahel was originally acacia forest, scruffy and dense in places, once extremely diverse in species of flora and fauna, but very fragile. The greater part of what is left of the acacia forest, as we can dimly see, has been thinned out, trampled, overgrazed, or converted to agriculture. The wildlife that once thrived in it is now scarce. We will see no antelopes or gazelles, warthogs, leopards, or tortoises, none of the three species of monitor lizard, one of which gets seven feet long. “The animals have all been shot and eaten,” Shek says. “There are none left to kill.” The only wildlife we see are long-tailed starlings coasting saucily over the road right in front of us, and assorted birds of prey circling high above. We pass fields of cotton—a thirsty crop that requires the pumping of ground water and is bleeding down the already drought-stressed water table—and other fields with gigantic white calabashes lying in them, mango groves, commercial plantations of neem, tamarind, and kalia tea. One hundred and fifty miles northeast of Bamako, cultivation gives way to rock desert. The rock strata have been eroded into stacks of brown wafers—curious artifacts known as torres, or towers. In the crevices between the torres stand big baobab trees, with bloated trunks and stubby, bristle-tipped branches. The baobab is a very useful tree for the people here. Its inner bark is twisted into rope; its fruit is ground into a cereal and made into candy. Wherever we stop, children run up with plastic bags of white baobab candy, their eyelashes and lids coated with red dust from the kungoforoko. Goats have penetrated every
corner of the landscape. Every reachable plant not protected by thorns
or toxic alkaloids has been clipped by their teeth. I wonder how many species
have been chewed to extinction. The Sahel is hardly a “natural” landscape
any more. It belongs to the goats.
We stop at Alison’s village,
near the trading center of San, 180 miles northeast of Bamako. It is called
Koroguelenbougu and is down to 300 permanent residents, less than half
of what it
“The forest is pretty much gone,” Alison says as we motor through a flat, desiccated landscape devoid of plant life except for a few tall trees along what appear to be property lines. It is hard to conceive how anyone could manage to eke out a living here. “Each family has a piece of land, and takes care of what trees and medicinal plants remain on it, and they don’t poach each other’s, so private ownership offers some protection for the vegetation that is left,” Alison explains. We pull into the village.
A crowd gathers around the car and she and the villagers exchange long,
traditional greetings: Has there been peace in the day? Is your family
healthy? How
The Malian herbal pharmacopoeia can be highly efficacious, as Western researchers have discovered. Alison, a 23-year-old blonde in a sun bonnet, has won the villagers’ hearts with her selfless dedication and beautiful manners but is finding it a “huge challenge” learning the language and how the villagers see things and what they need. Water, of course, is the biggest issue. “The three village wells are filling with sand because the water table is sinking,” she explains, “so I’m helping repair their walls and line their bottoms with rocks.” Any day she is expecting a pump from World Vision, an American Christian organization that has an office in San, 25 miles away. “It’s going to be huge for women,” she continues. “They spend two hours in the morning and another two in the evening hauling up buckets from the wells.” Last year before the rains, the village ran out of food, as it had repeatedly since l968. But this time the villagers had stored millet, their main crop, from the previous year’s harvest in a bank that Alison’s predecessor had started, so they could borrow enough to get through the worst of it, and when the new crop came in they restocked it. We find several elders in the one-room school, relearning their ABC’s, which they were taught in the French colonial schools in the late 1950s but have forgotten. The literacy rate in Mali is shocking: 79 percent of the men and 85 percent of the women can’t read. The old men, sitting at tiny desks in their frizzy grey beards and skullcaps, beam the imperturbable good cheer that I often encounter in Africa, even in the most horrible circumstances. Sacks of millet take up half the room. The school doubles as the grain bank. One of the elders reminisces about the terrible drought in the early 1970’s. Alison translates his Bambara (the language of the Bamana). “The first year we were reduced to eating roots and leaves, but we stayed. The next year we finally gave up and abandoned the village and went to the cities.” Why has everything been drying up? I ask. “We don’t know,” he says. “It is the will of Allah. You can resist what men want you to do, but you can’t fight your destiny.” Overpopulation, deforestation,
overgrazing—do these have anything to do with it ? I ask.
“Last year we planted 1,500 Acacia senegalensis trees around the village,” Alison says. “They’re good for the soil, and PDO a French organization, says it will buy the wood. But the problem is that a tree crop takes longer to come in than an annual food crop, and a big drought can wipe it out. These people don’t have the luxury of waiting 10 years to be rewarded with the fruit of their labor, of investing time and energy in something that they may get a return on in the distant future but that every year they have a chance of losing. So not enough trees are being planted.” “When the rains come, we have to plant millet and other crops every day, from sunup to sunset, for four months. We don’t have time to plant trees,” a third elder says. This explains why none of the reforestation programs in Mali have been catching on in the villages. And the first man’s contention that the desertification has more to do with the lack of rain than the lack of trees is borne out by the most recent scientific findings, that the remote influence is a more important factor than the degradation narrative. The drought in the Sahel clearly
correlates with El Niño, a cyclical warming in the Pacific Ocean
that causes a disruption in global climate conditions. During an
El Niño year, a complex, non-linear system of “teleconnections,”
or atmospheric feedback loops, interacting over vast distances causes
the harmattan to blow hard, suppressing the moisture-laden winds that come
up
The current desertification of the Sahel may therefore be doubly anthropogenic—caused not only by the physical removal of its vegetative cover, but by far-away emissions from smokestacks and cars that, according to a growing number El Niño of climate scientists, are acting on the El Ninos. We continue to Djenne, in
its heyday the biggest city in West Africa, as big as medieval London until
800 years ago, when a big drought drove everyone out (the population at
the time was not large enough for deforestation to have played a role).
It is still recovering from the l983-4 drought, when all the herds that
sustained the city were lost and there was nothing to eat. Most of the
buildings are made of mud and are hundreds of years old, including its
mosque—the largest adobe structure on earth and one of the wonders of Africa.
Its imam is like the Archbishop of Canterbury, and there are some 60 Koranic
schools in the city, which is visually
The next morning, after spending
the night in a nice little whitewashed adobe hotel run by the cranky son
of someAmerican missionaries, we reach Sévaré, which
is on the edge of Dogon country, where 300,000 of these small, pygmoid
people live in villages of mud scattered over 5,000 square miles (about
the size of the Navajo Reservation) of mostly bare rock. The ones
who live under La Falaise, the Cliff—as the escarpment is called—mummify
their dead up on its ledges and believe that they reincarnate as the little
children playing on the valley floor. They dance with masks and stilts
like the Zuni of New Mexico and are extraordinary wood
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